Reviewing the first chapter of The Figaro Project, in which OSO is staging lesser-known operatic adaptations of French playwright Pierre-Augustin Caron de Beaumarchais’ (1732-1799) famed trilogy of Figaro plays, Anthony Tommasini of The New York Times wrote, “This visionary company could be on to something big.” He noted that the “space proved ideal for the intrigues of the opera.” On Site Opera continues this ambitious three-year undertaking June 14-17, when it presents the North American premiere of Marcos Portugal’s The Marriage of Figaro (1799). OSO’s team of General & Artistic Director, Eric Einhorn, Music Director, Geoffrey McDonald, and Executive Director & Producer, Jessica Kiger have pushed the boundaries of operatic storytelling, producing operas in locations that allow singers and audiences alike to immerse themselves in the narrative. New York, NY (March 9, 2016) – Just four years into its existence, On Site Opera (OSO) has established itself as one of New York City’s most imaginative, nimble opera companies by doing more than simply staging musically and dramatically rich works outside of the opera house.

Second Installment of The Figaro Project, the Celebrated Young Company’s Most Ambitious Undertaking to Date, Follows Immensely Acclaimed Staging of Giovanni Paisiello’s The Barber of Seville at the Fabbri Mansion (House of the Redeemer) On Site Opera Continues Site-Specific Trilogy, The Figaro Project, With North American Premiere Of Marcos Portugal’s The Marriage of Figaro, June 14-17 At 632 On Hudson in West Village OSO The Marriage of Figaro Press Release Ashley Emerson (soprano) as Susanna and Jesse Blumberg (baritone) as Figaro at 632 on Hudson. Photo by Rebecca Fay Photography

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